A social dramatization, created by Internatonal Film Craft Production called "Pujaarin (1936)", and coordinated by Prafulla Ray. The acting credits for this film incorporate KL Saigal, Chandra, Pahadi Sanyal, KC Dey, Rajkumari, Nawab Babulal, Kailash, Jagdeesh, Kedar, Sham Laha. Saigal assumes the part of Jeeband Chowdhuri, a young man whose occupation is to snatch the benefits of other individuals. He weds the girl of a rich family, just with the end goal of getting a ton cash as settlement.
The verses of this melody are by Kidar Sharma, and the music structure is by Timir Baran. This despairing number is soaks with second thoughts on the futilities of life. The artist is advising his own particular self to abstain from speculation and aching for that which is previously.
The melancholy and devastation set forth by the words, is just coordinated with the despairing of the voice of Saigal Saab. The interpretation and the stream couldn't be any easier as in this structure. There are no complexities of music clear, there aren't numerous varieties in the tone and pitch to be taken care of. But, the tenderness of the words couldn't have been communicated any better. The principal lines of the tune, create that inclination in the heart, of listening to somebody who has lost everything in life, and not by any means trust remains. At the point when the voice says the words that the heart is declining even that measure of wine that once used to be a succor, the despondency is by all accounts so absolutely convincing that it is troubling.
In the event that distress could be appreciated, then I would say appreciate this tune – for the sweetest tunes are those that express the agony and lose faith in regards to the heart.
The verses of this melody are by Kidar Sharma, and the music structure is by Timir Baran. This despairing number is soaks with second thoughts on the futilities of life. The artist is advising his own particular self to abstain from speculation and aching for that which is previously.
The melancholy and devastation set forth by the words, is just coordinated with the despairing of the voice of Saigal Saab. The interpretation and the stream couldn't be any easier as in this structure. There are no complexities of music clear, there aren't numerous varieties in the tone and pitch to be taken care of. But, the tenderness of the words couldn't have been communicated any better. The principal lines of the tune, create that inclination in the heart, of listening to somebody who has lost everything in life, and not by any means trust remains. At the point when the voice says the words that the heart is declining even that measure of wine that once used to be a succor, the despondency is by all accounts so absolutely convincing that it is troubling.
In the event that distress could be appreciated, then I would say appreciate this tune – for the sweetest tunes are those that express the agony and lose faith in regards to the heart.
Lyrics:
"Jo beet chuki so beet chuki
Ab uski yaad sataye kiun
Khush rehne wali soorat pe
Chinta ki badli chaaye kiun
Saama kar dil behlaane ka
Pyaale mein dabo de sab chinta
Woh dil jo piyay ja kehta tha
Ab jaam wohi thukraye kiun
Phooloun se jis se nafrat ho
Unki khushboo se wehshat ho
Is dil ki machalnaa adat ho
Phir koi usey behlaaye kiun"
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